Mon-Rak Transistor

Pan is simple minded country boy whose love for music and pursuit of fame finds himself AWOL from both his wife and the Thai army. There is not much else to say about the sparse storyline of this film which is a blend of comedy, musical, romance and crime thriller. One of Pen-Ek Ratanaruang earlier efforts where it is obvious that his art needs honing. I guess one has to go through the process of making movies such as these before you end up with something original and timeless.

Rating: * * 

Poster licensed under Fair use via Wikipedia.

Snowpiercer

Global warming was imminent and humans in their infinite wisdom decided to fix things. The result is a sudden ice age and the only escape is being on a self sufficient train that runs endlessly on a round the world trip. Even in these close confines of a train, a class system arises and there is the inevitable revolt. The film evoked critical response regarding how this a reflection of current society and class division. However, the point is lost of people that there is nothing original in this route and is a topic revisited over and over again. And if you sit through to the end, you will definitely be reminded of Omelas if you have read it. In fact, if you haven't read it go pick up a copy and ignore the film.

Rating: * +

"Snowpiercer poster" by impawards.com. Licensed under Fair use via Wikipedia.

Five Easy Pieces

Jack Nicholson's coming out movie in 1970. One can sense that with that kind of presence it was inevitable that he would go on to other spectacular (that movie in my book, btw, is a * * * +) performances. Enjoyed the film as it drifted everywhere to tell us a story of a nowhere man. Which was pretty much the call of the times, I reckon, if you were an aspiring filmaker. Does well to convey the coldness of a person who is intent on searching for nothing amongst humans.  

Here is Jack turning on his charm.

Rating: * * +

Breaking Bad

I was late on this one. I first heard about this series only last September as I witnessed frenetic activity on the twitter timeline about the upcoming series finale. Once I began on episode 1, it was easy becoming a junkie. Blitzkrieged through the rest of the 5 seasons in 5 weeks.

This Vince Gilligan production is as close to perfection as Richmal Crompton's Just William series of books and the British TV series 'Jeeves and Wooster' were to me. At the outset, the hook for me was the underground crystal meth operation spearheaded by an unlikely pair of underdogs - Walter White (WW) & Jesse Pinkman. Gradually it became much more than that. It was like I had shaved my head, grew a french beard and decided to switch on a bomb - a Heisenberg whirlpool that unwittingly took in many others in for a ride as well. All for the family, not.  

All of the surrounding characters were brilliantly scripted and casted - a big factor in the success of the show in my opinion. Each one of the characters had enough depth to spin off a series entirely on their own. 

After watching the entire season, I have browsed through quite a few reviews and interviews. Much of it has been about the bewilderment about viewers rooting for Walter White despite his evilness. Frankly, it is not the first time an anti-hero character in a movie/TV series has proven popular.  At some level, everybody wants to be bad because of all the 'injustices' that one has had to endure. The urge to take on the establishment / society is something again, I reckon, a lot of people would relate to.

What really was cool was the depiction of the inner workings of a crystal meth empire. Which is no different from managing any other business. For instance, there were insights into: (a) strategising - both micro and macro from Saul Bellow-DEA-WW-Gus Fring; (b) managing operational efficiencies from WW-Mike-The man who makes them disappear; (c) people management skills - grooming talent, empowering nobodies, sidelining competition and (d) money laundering from Saul-Skyler.

While searching for stuff to read about the show, I came across an entire series of interviews by Rolling Stone with most of the cast in the run up to the final episode. Some of the ones I found interesting were the one with Giancarlo Esposito 'Gus Fring' (The ending I want is to see is his head on a pike) and Dean Norris 'Hank' (Is Hank the only major character in this show who hasn't broken bad? Absolutely). The others also should be checked out. 

I also discovered some great music through the 60 odd episodes - painstakingly shazamed my way to a playlist of 15 odd songs. While David Porter's original score does immense work in the subconscious, here are few songs that stood out - in chronological order: TV On The Radio's DLZ (lead singer being Tunde Adebimpe), The Be Good Tanyas' Waiting around to die and Gnarls Barkley's Who's gonna save my soul.


Rating: * * * *

Dawn of the Planet of the Apes

The sequel to Rise of the Planet of the Apes starts off 10 years later showing Ceaser ruling his clans of apes peacefully in Muir Woods amidst the decimation of the human race by the ALZ-113 virus. A chance encounter by couple of the young apes with a human survivor rekindles the contact between the two species and reignites the buried hatred among some of the apes. All the humans want is access to a dam that is in the land occupied by the apes. All the apes want is to be left in peace. But politics and personal gain apparently exists everywhere, even among apes showcasing they indeed were our forefathers. A slightly sad turn to what was shaping to be a promising franchise.

Rating: * *

Dawn of the Planet of the Apes poster Via Wikipedia.

Like Father, Like Son

High up in their residential tower, overlooking other Tokyo towers, Ryoto and Midorino are working purposefully towards planning their six year old's life. Until they realise that there was a mistake at the hospital 6 years ago and Keita was never their child. The hospital puts them in touch with the other family who has their 'real' child. Should they exchange? Why? Why not? But it did raise a few related questions that I should be mindful of in the future: nature vs nurture, blood vs emotion, piano classes vs loafing. 

Apparently dealing with parenting, family issues / misplaced, dead children seems to be director Hirokazu Kore-eda's speciality and does a decent job of tugging at your heart. Unfortunately, it is through a bunch of steroteypical characters and a plot that focusses on simplicity.

Rating: * * 

The Grandmaster

Wong Kar-wai's take on the life of Wing Chun master and Bruce Lee's guru Ip Man. It chronicles his early life in Foshan and his flight to Hong Kong after the Japanese invasion. Tony Leung plays the martial artist maestro with his usual relaxed ease. But other than for that and the brilliant cinematography, the film has very little to warrant an addition to Wong Kar-wai's list of masterpieces. The director has definitely lost his touch and his retirement would be welcomed by his fans.

Rating: * *

"The Grandmaster poster" by this website. Licensed under Fair use via Wikipedia.

Cloud Atlas

Reading David Mitchell's Cloud Atlas left me thinking that this is one book that meanders all over the place and could never make a coherent film. The Wachowski siblings of course proved me wrong.

In 1849, a young lawyer has a brush with slavery and is dying of a mysterious illness on ship while harbouring an escaped slave. In 1936 a young composer is slaving away under an arrogant maestro while composing his own masterpiece. San Francisco in the 1973 sees a journalist trying to unearth a conspiracy. Present day London finds a publisher running away from gangsters in the most amusing fashion. A futuristic Seoul in 2144 shows a genetic clone discovering that she is human. And then there is the really far away time set in a post apocalyptic time. A film set over multitude timescapes that has been stiched together to make a coherent whole. 

Rating: * * +

"Cloud Atlas Poster" by May be found at this website. Licensed under Fair use via Wikipedia.