The Whistleblower

Kathryn Bolkovac (Rachel Weisz), a Nebraska police officer, finds herself far from home working as a peacekeeper for DynCorp International in post-war Bosnia and Herzegovina.  But her rose tinted glasses are shattered when an investigation into sex trafficking involving two young girls reveals a malice deep within the UN. A film that focuses on an issue that needs to be brought to the mainstream but fails to pack a punch as it panders to the hero worshipping syndrome that is so popular in the USA.

Rating: * *

A Royal Affair

A king, his queen and the royal physician form the central triangle of this film set in Denmark during the rule of the mentally ill King Christian VII. He is married to Princess Caroline of Great Britain who is a connoisseur of the fine arts and literature but finds many of it banned in the country. Her ensuing frustration with her marriage and the nation finds her in the arms of the royal physician. Dr. Johann Friedrich Struensee is a secret follower of Jean-Jacques Rousseau and uses his influence to bring about reforms in the country. The ensuing political struggle amidst the affair is the theme of the film which is only mildly engaging.  

Rating: * *

Mama

The 2008 financial crisis drives Jeffery, a banker over the edge. He kills his co-workers, ex-wife and drags his two young daughters to an abandoned cabin with the plan of killing them and committing suicide. The plans go awry as a mysterious entity rescues the girls. The girls are discovered five years later by a search part sponsored by Jeffery's twin brother, Lucas.  Lucas takes the girls back to his home which he shares with his partner Annabel. As the girls try to rehabilitate themselves to regular living, it is evident that they brought something back from the cabin with them. The atmosphere created by the directory shows the evident hand of Guillermo del Toro who is an executive produce of the film. Dark, slow and sudden are the adjectives you can attach to the film, which is one of the better horror films to come out in 2013.

Rating: * * +

Django Unchained

Quentin Tarantino tackles the spaghetti western with his usual dark twist by putting a black man as the main protagonist in the wild west. Dr. Schultz (Christoph Waltz) is a German bounty hunter disguised as a dentist who buys a slave Django (Jamie Foxx) to help him identify three outlaws. In return he promises to teach him the trade and set him free. Django sweetens the pot by adding a request of freedom for his wife who suffers at the hands of an evil plantation owner (Leonardo DiCaprio). With that premise, Tarantino unleashes a whole lot of slick violence and blood in his signature style. For nothing else, this film needs to be watched for Samuel L. Jackson in the role of a nasty Uncle Tom. 

Rating: * * + 

The Hobbit: An Unexpected Journey

In the events that launched the Lord of the Rings storyline, Bilbo Baggins (Martin Freeman) finds his calm existence shattered by the intrusion of a wizard and thirteen dwarves. Gandalf (Ian McKellen) wants Bilbo to join him and his merry dwarves in the quest of reclaiming the lost city of Erebor from Smaug, the dragon. Unwittingly following their lead, Bilbo finds himself dealing with goblins, elves, orcs, wargs and sorcerers. Featuring the hair raising ride through the goblin tunnels, you are never bored through this film. Then there is the encounter with Gollum (Andy Serkis) and the ring which is the heart of the film. Despite all of this you are left wondering if there is enough meat for The Hobbit to be stretched in to three films... 

Rating: * * +

Looper

It is the year 2044 and Joe (Joseph Gordon-Levitt) works as a "looper" for a crime syndicate. His job is to kill and dispose individuals sent back in time by the syndicate. The film based on this interesting premise has endless possibilities, but the director picks a predictable one where Joe is tasked with killing his own self from the future. Things go wrong and young Joe ends up chasing old Joe (Bruce Willis) around.  In spite of the predictable plot, the film is strangely engaging  and you never once feel like switching off.

Rating: * *

Spirit

Raghunandan (Mohanlal) is a journalist and the host of a TV talk show called "Show the spirit". The spirit of his life though is alcohol. The film is a chronicle of his fatal addiction and the effect it has on his life and those around him. The first half of the movie is tightly scripted but as the film proceeds it tends to loosen. Coupled with the length of the film, you are left feeling a little drained at the end. But given the poor quality of Malayalam cinema this past decade, the movie does stand out with a fine performance from Mohanlal and the courage of Ranjith in attacking a tough topic.

Rating: * * +

Wanted

Wes Gibson (James McAvoy) is deeply embedded in a dead end life, snacking on anti-panic medication and living with a cheating partner. All this changes when a mysterious woman, Fox (Angelina Jolie), arrives and tells him his father was an assassin and his murderer is out to get Wes now. Wes ends up joining the Fraternity, a secret society of assassins and Timur Bekmambetov then takes you on a rollercoaster ride that Mark Millar detailed in the graphic novel of the same name. Enjoy the fun and believe in bullets that curve.

Rating: * * *

PS: It should be noted that one Ms. Sophiya Haque makes a brief cameo in the film.

Argo

Most people know the outcome of this political thriller that is set during the 1979 Iran hostage crisis. Maybe that was the reason the film fails to draw the viewer in, in spite of a good cast and fine script. Ben Affleck who in my book is a slightly underrated director continues to be crisp, but his choice of topic proves to be undoing. As Tony Mendez goes through the complicated setup to get the US diplomats out of Iran, you strain to get excited and become part of this caper only to be left only with the pain of straining.

Rating: * *

Ted

A falling star brings a teddy bear to life and young John (Mark Wahlberg) has a friend for life. Now as a young annoying adult, John continues to live with Ted much to the annoyance of his hot partner, Lori (Mila Kunis). Now most young men when presented a choice between a teddy bear and Ms. Kunis would not hesitate in shredding the toy to smithereens. But for the sake of comedy John secretly chooses Ted and we spend the rest of the movie trying to laugh in vain.

Rating: *

Insidious

The Lambert family moves in to a new home and is welcomed by their young son, Dalton, falling in to a coma. Months go by and the boy, now back home, continues to linger in the coma. This is when his younger siblings start to complain about him walking around at night and things take an "insidious" turn. The mother, Renai, is convinced that the house is haunted and forces her husband to move the family in to a new home. But the insidiousness continues leaving you with a horror flick that actually creeps you out for most parts.

Rating: * * +

Skyfall

The latest Bond film finds MI6 under attack and M all alone with her trusted 007 out in the cold. He is helped by a lone field agent Eve (Naomie Harris) as they pursue the mysterious Raoul Silva (Javier Bardem). For a change the film focuses a tad more on the characters, their flaws and tribulation instead of the usual stream of tech toys that 007 wields. Here he is more MacGuyver than his usual suave self which does come peeping out when he runs in to the stunning Bérénice Marlohe. But the actor who dominates is predictably Mr Bardem who adds a whole lot of color to the latest Bond villain. This definitely is one of the better Bond films in recent times.

Rating: * *

Disturbia

Kale (Shia LeBouf), a teenager is placed under house arrest after trying to assault a high school teacher. With an ankle monitor confining him to the premises, the boy starts to go stir crazy and cabin fever sets in. He starts spying on his neighbors and is convinced that one of them is a serial killer. Throw in a pretty blond and you have all the ingredients for a classic run of the mill American psycho thriller.

Rating: * +

Going by the Book

Sampo, a small South Korean town is assaulted by a spate of robberies. The new police chief decides to shake things up by performing a realistic drill of a bank robbery that will help train the police force in catching the real suspects. But he makes the mistake of picking Do-man, a straight laced cop, to play the role of the robber and hilarity ensues. Another classic comedy from the South Korean film industry.

Rating: * * *

Headhunters

A colleague strongly urged me to see the film mainly for Synnøve Macody Lund. She turned out to be hot in a Barby doll sort of way. The film however was a little lukewarm. Roger Brown is a headhunter by day and steals rare paintings by night. His partner Ove works for a security firm and deactivates the security system of prospective clients, allowing Roger to slip and make away with the goods. The appearance of Clas Grave (Nikolaj Coster-Waldau) and his Rubens painting is when things start to get dark and bloody as Roger finds himself on the run. Based on a Jo Nesbø novel, it turns the meaning of a headhunter on its head to its more literal definition but fails to leave a lasting impression.

Rating: * *

Moonrise Kingdom

Like many Wes Anderson films, the premise is simple and set around a quirky family. Sam and Suzy, a couple of introverted teens meet during a church performance and become pen pals. Over the course of their correspondence, they fall in love and decide to run away to together. The setting for their elopement is during a Kakhi scouts camp that Sam is attending. The kids manage to flee but with the Kakhi scouts hot on their heels. What ensues is hilarity with stillness and deadpan seriousness. A film that is hard to describe but completely worth watching.

Rating: * * *

Albert Nobbs

Albert Nobbs (Glen Close) is a hard working waiter at a drab hotel in Dublin. Everyone loves the dedicated man and he keeps to himself with his room and dreams. The main reason for his introversion is that he is harboring a secret. Albert is actually a woman and the harsh 19th century Irish economy forces him to take up the role of a man. He is very comfortable in that role but of course society would not have that if it came to light. This is the setup for the film and what follows is the exploration of the question of gender in the face of society's insistence of it being binary in nature. 

Rating: * * *

The Master

Freddie Quell (Joaquin Phoenix), a World War II veteran, struggles with a post war world when he meets the enigmatic Lancaster Dodd (Philip Seymour Hoffman). Dodd is the crack head leader of a new religion called "The Cause" and Quell falls under his thrall. Quell though sticks to his hard drinking and philandering ways and that forms the background of the film using it as a window in to the psyche of the cult. Brilliant performances all round that got all the main actors Oscar nominations. In spite of that and the well thought out script, the film fails to engage the way a film of this calibre is supposed to.

Rating: * * +

Aftershock

The film is set in the aftermath of the 1976 Tangshan earthquake that tore many families asunder. A young mother, Li Yuanni sees her husband getting crushed when trying to save their twins. Li is soon faced with a Sophie's choice and like a good Chinese mother picks the boy. The girl miraculously survives and is adopted by a military couple. The movie revolves around the parallel lives of the twins in great melodramatic detail and ended up grossing over US $100 million at the Chinese box office. It is worth a watch if you love films that tugs at your heart strings in the most cloying fashion. 

Rating: * *

Caterpillar

Lieutenant Kurakowa returns home from the Sino-Japanese war as a decorated war hero. He is literally a husk of his former self with his limbs torn off and no auditory perception. But that does not stop him from abusing his wife who in turns feels duty bound to take care of his needs. A disturbing film that examines the effect of Japanese wars on both the soldiers and their families.

Rating: * * +