The Informant

Mark Whitacre was a high flying executive at Archer Daniels Midland, when he decides to blow the whistle on the company's nefarious price fixing of lysine, an additive used in the livestock industry. He teams up with the FBI and walks around wearing a wire and surreptitiously filming secret meetings. But the pressure of leading a double life starts to show as his character starts to fray at the edges resulting in tragicomic situations. Matt Damon shines in this role and you are left in an enjoyable muddle of trying to figure out reality from Whitacre's imagination.

Rating: * * *
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Unlucky Plaza

Slowly and steadily, Nek Nek (a.k.a Ken Kwek) has obviously been fine tuning his movie writing / making abilities - delivering this super smooth production of a dog day afternoon in Singapore as a Filipino restaurant owner driven to his wits end, contemplates his end game with a bunch of atypical (or not) Singaporean characters. Realisation hits Onassis that they are all trapped, in this fine city, and that something eventually has to give. 

Fine performances from all quarters enhances everything and pushes Unlucky Plaza onto the forefront of Singaporean films. 

Rating: * * * 

A Touch of Sin

What does a man do when he is teetering on the edge of his breaking point as he fights the injustice around him? Does he stoically fight on or just go berserk? This kind of scenario is what the film opens to and forms just one section of it. It eerily reminds one of Edmond but as the other sections unfold you realize Zhang Ke is as usual a filming a commentary on the social climate in China. Except unlike his prior films that are haunted with melancholy and realism, he gets his point across with explosions of violence here.

Rating: * * *

Poster licensed under Fair use via Wikipedia.

Headshot

Detective noir cloaked in the gloom of smoldering cigarette butts and damsels in distress are the backdrop for this film. The movie opens with a hit going wrong for hitman, Tul, as he finds his life literally turned upside down. As Tul tries to come to grips with his inverted vision, you are introduced to his "normal" past life. In a stupor you are slowly immersed in to his life as a film eerily reminiscent of Wanted, is flashed across the screen. Take away the lack of originality of the concept and add in the Pen-ek twist, you find yourself enjoying a thriller like the drama that was Last Life in the Universe.

Rating: * * *

The Constant Gardner

The sudden death of his young wife Tess turns, staid diplomat Justin Quayle into a detective. He painstakingly traces the path his wife took and rediscovers the dangers enroute as you are introduced into the murky world of the cut throat pharmaceutical industry. If you have read the book the movie is based, have no fear of having a face put to the characters. John Le Carre continues to have luck when it comes to his writings being made into moving pictures. However, you do lose a few molecules of complexity that inhibit his novel. But in spite of the loss, the movie is time worth spent.

Rating: * * *

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The Rover

 

As I watched the movie, I thought to myself that this would be the kind of movie that I would write and make. From the characters, to the guns, and the drugs, the apocalyptic social situation, the dialogues (or lack of), the photography, the apparent lack of motive, the beautiful landscape that is Australia and the choice of the lead actor - Guy Pearce. It couldn't have meant much to many others, and therein is a possible lesson for me. But the bright spark comes from an unlikely source - the supporting lead played by Robert Pattinson. Who would have thought he could provide credibility to an indie type indulgence. 

Rating: * * *

Metroland

I read the Julian Barnes novel in early 2000. And that was after I had picked up the Mark Knopfler soundtrack the previous year. Both captured the spirit of the times and ore enjoyed them. Recently, for no particular reason, I found myself googling for Mark Knopfler soundtrack movies and was pleasantly surprised to learn that it was Christian Bale that played the lead in the film. 

The movie didn't disappoint at all and captured the 'Metroland present' vs the 'Paris past' divide, the central theme of the story, very well. Christian Bale was effortless as Chris and managed to climb up to the same level as Mark & Julian. Possibly, a notch higher.

Rating: ***

The Grand Budapest Hotel

Wes Anderson is back with the symmetry of his frames, still camera and arrestingly strange characters. In his latest masterpiece, the story is centered around an old hotel that lingers on in the cloud of its prestigious past or I should say around that of its concierge. The movie starts off as a simple retelling of the legendary concierge's past that soon becomes part murder mystery, part prison break, part thriller and full on fun ride. Manifested with big name actors and actresses playing their bit and lead roles that they only would for Mr. Anderson, you are left marveling at this genius who makes complexity so simple. Or is it the other way around... 

Rating: * * *

I saw the Devil

How the South Korean cinema maintains this kind of consistency in the psycho thriller genre is a mystery to me. Yet again, here is a film that takes the age old genre and adds a slightly new twist to it. Kim Soo-hyeon is inconsolable as he finds his pregnant fiance brutally murdered. Unfortunately for the killer, Soon-hyeon is a top secret agent who takes matters in to his own hands. He tracks down Kyung-chul (Min-sik Choi), a human flesh crazy psychopath and starts to give him a taste of his own medicine. But like in the wild it does not take long for the hunter to become the prey. A film that is definitely not for the faint of heart.

Rating: * * *

Rachel getting married

This is one of the reasons why I liked this film. The quiet Sidney, who is getting married to Rachel and played by Tunde Adebimpe, singing Neil Young's 'Unknown legend', which I had not heard in many years. Quite similar in premise to Margot's wedding experience, Kym's (Rachel's sister) one is also about the family's emotional baggage. Which hit close to home - what do you do if you are entirely responsible for an accidental death of a family member? Bollocks really.

Anne Hathaway who normally is more irritating than skilful, gets it right as the troubled one. With the backdrop of a wedding 'Indian' style, much gets played out in front of everybody (including a random bunch of musicians) and credit to the director Jonathan Demme in getting all the many characters involved, including you the viewer.

PS: The writer Jenny Lumet is the daughter of Sidney Lumet. Which explains Adebimpe's character's name. Jonathan Demme subsequently directed a documentary called 'Neil Young journeys', which explains the song choice for Sidney.
 
Rating: * * *

This Must Be the Place

Cheyenne (Sean Penn) is a retired glam rock star, boring the hell out of life in Dublin with his wife of many decades. This low key life is interrupted by his estranged father who is on his death bed in New York. In the hope of a late reconciliation, he travels to the US only to arrive too late. What he discovers is that his dad was a survivor of Auschwitz and was tortured by a former SS officer who is still at large. Cheyenne takes it upon himself to track down the office and bring him to justice. So ensues a surreal road trip across the US as Cheyenne unwittingly starts on a path of self discovery and awakening. A brilliant film that echoes with the touch of the Coen brothers and Penn playing a unique role like he has never done before.

Rating: * * *

Chaser

Joong-ho is an asshole of a pimp who used to be a police detective in another lifetime. He finds himself in deep shit when some of his prostitutes start running out on him. He suspects that someone is kidnapping them so he puts on his detective hat to get to the bottom of it. As he scratches the surface he finds someone way more sinister beneath. Unlike many psycho thrillers, this one is not a whodunnit. You are shown the identity of the killer right from the start. Rest of the film is about apprehending him. The way Joong-ho is portrayed is also very interesting. At one side he is ruthless and works his girls to the bone while at the same time he cares deeply for their well being. Director Hong-jin Na throws all this in front of you with zero melodrama and lets you be the judge. Another brilliant addition to the South Korean crime genre.

Rating: * * *

American Hustle

Having watched David O. Russell, Christian Bale and Amy Adams combine with aplomb in The Fighter, there was much anticipation. But didn't bargain for the brilliant performances from all the rest - Amy Adams (firmly entrenched in the top spot in Hollywood), Jennifer Lawrence (supreme talent) and Bradley Cooper (solid as the funny guy). And Bale, of course, was perfectly measured.

American Hustle was like watching a novel - space for characters to develop sub-plots to gradually unravel, but at the risk of losing the fluidity that makes a film great. The approach to story telling reminded me of Donnie Brasco, but in the latter case I did watch a fantastic film. Here it was about great performances (count in Louis C.K and Jeremy Renner) and therefore stops at 3 stars.

Rating: * * *

Wanted

Wes Gibson (James McAvoy) is deeply embedded in a dead end life, snacking on anti-panic medication and living with a cheating partner. All this changes when a mysterious woman, Fox (Angelina Jolie), arrives and tells him his father was an assassin and his murderer is out to get Wes now. Wes ends up joining the Fraternity, a secret society of assassins and Timur Bekmambetov then takes you on a rollercoaster ride that Mark Millar detailed in the graphic novel of the same name. Enjoy the fun and believe in bullets that curve.

Rating: * * *

PS: It should be noted that one Ms. Sophiya Haque makes a brief cameo in the film.

Going by the Book

Sampo, a small South Korean town is assaulted by a spate of robberies. The new police chief decides to shake things up by performing a realistic drill of a bank robbery that will help train the police force in catching the real suspects. But he makes the mistake of picking Do-man, a straight laced cop, to play the role of the robber and hilarity ensues. Another classic comedy from the South Korean film industry.

Rating: * * *

Moonrise Kingdom

Like many Wes Anderson films, the premise is simple and set around a quirky family. Sam and Suzy, a couple of introverted teens meet during a church performance and become pen pals. Over the course of their correspondence, they fall in love and decide to run away to together. The setting for their elopement is during a Kakhi scouts camp that Sam is attending. The kids manage to flee but with the Kakhi scouts hot on their heels. What ensues is hilarity with stillness and deadpan seriousness. A film that is hard to describe but completely worth watching.

Rating: * * *

Albert Nobbs

Albert Nobbs (Glen Close) is a hard working waiter at a drab hotel in Dublin. Everyone loves the dedicated man and he keeps to himself with his room and dreams. The main reason for his introversion is that he is harboring a secret. Albert is actually a woman and the harsh 19th century Irish economy forces him to take up the role of a man. He is very comfortable in that role but of course society would not have that if it came to light. This is the setup for the film and what follows is the exploration of the question of gender in the face of society's insistence of it being binary in nature. 

Rating: * * *

The Dark Knight Rises

Gotham finds itself fairly free of crime in the aftermath of the Harvey Dent's death and the Dent act. Batman seems to have disappeared in to the twilight and Bruce Wayne has turned hermit. With a sinking Wayne Enterprise and a guilt filled Commissioner Gordon, Gotham seems ripe for the picking again. Enter the mysterious Bane. But then there is always Batman. There are hints of Frank Miller's The Dark Knight Returns in the makeup of the film, however the majority of the plot seems to be from Knightfall. Christopher Nolan has also thrown in some hits against Occupy Wall Street though that could be a matter of interpretation. In spite of that the movie turns to be an excellent final piece in Nolan's Batman trilogy.

Rating: * * *

Blue Valentine

 

6 years is a long time for any relationship and much can change. Blue Valentine is a study on precisely this - how shit things can get between 2 individuals who were ore in love in the beginning. Director Derek Cianfrance, Ryan Gosling and Michelle Williams all put in spectacular effort to get you close to the shit and feel just as suffocated as the characters themselves. 

Rating : * * *

Being Flynn

I felt this whole pressure being lifted as I walked out the cinema. Of wondering if they actually do show good shit in the theatres these days. All I knew about 'Being Flynn' were the 2 solid actors in it - Robert De Niro and Paul Dano. Rememeber that I was quite impressed by the latter in his turn as an evangelical priest who had then matched Daniel Day Lewis every inch of the way. 

Being Flynn is a story of a father and son who eventually meet each other in unforseen and unfortunate circumstances. The elder, played quite brilliantly by Robert De Niro, maniacally trying to understand the legacy he is going to leave behind in this world where he finds himself isolated. While the son engaged in trying to understand the legacy that he inherited - from a dead mother and an invisible father. "We're all works in progress" -a lofty idea to be deconstructed over 90 minutes, but a fine film.

Rating : * * *