Sunday, November 13, 2011

Pudhupettai

Pudhu Pettai

Story of how a scrawny man, Kokki Kumar (Dhanush) becomes an underworld don and a pawn in the hands of politicians. Charting his rise from a young boy to a Scarface like figure, the film throws in dollops of violence and dappan koothu. The noise level rises to a crescendo and stays there and as body count goes up, all you want to do is escape to a quiet bar and meditate over a beer.

Rating: * +

Sunday, November 06, 2011

Margin Call


A film that tries to capture the beginning of the end of the housing bubble, opens with a pink slip day at a major trading firm. One of the employees being laid off turns out to be sitting on something big and soon the unraveling starts. Not a word is mentioned about the reason for the collapse or what the collapse is all about. The films assumes the viewer has seen and heard enough to not bother detailing that aspect. Instead the focus is on the upper management of the firm and how they react to the situation. A calmness permeates the film that can throw the viewer off considering the fact that everyone is panicking but with actors like Kevin Spacey, Jeremy Irons and Demi Moore it is obvious that much lies below the surface. If you go in expecting Wall Street the film will disappoint. However what is portrayed here might be a more realistic view of the unraveling from an individual worker point of view.

Rating: * * +

Sunday, October 30, 2011

Green Lantern

Green Lantern

Earthling Hal Jordan is chosen to wear one of the Green Lantern rings and become part of the Green Lantern corps. Soon Earth is threatened and blah blah blah. DC in its vain attempt to keep up with Marvel film launches, brings yet another of its characters to the big screen. Picking Ryan Reynolds to play Green Lantern, undid the movie even before shooting began.

Rating: *

Take Shelter

Take Shelter
Curtis (Michael Shannon) seems like a regular fella with a loving wife (Jessica Chastain) and a daughter who dotes on him. The only trouble the family faces is the little girl’s deafness. Curtis and his wife seem to be taking this in their stride when he starts getting plagued with apocalyptic dreams of a storm front. He soon turns introspective which externally manifests itself in sullenness and strange behavior like fencing away the pet dog. The guts is the family’s struggle to deal with the unraveling of Curtis. A film that moves at a constant eerie pace with the kind of stillness that most directors don’t get right.
Rating: * * +

Sunday, October 23, 2011

The Skin I Live In

The Skin I Live In

A man silently contemplates a larger than life picture on the wall of a stunning woman in a body suit. Suddenly the woman stirs and you realize you are looking at a close circuit camera feed on a giant LED TV. On the surface, the woman, Vera (Elena Anaya) seems to be Dr. Ledgard’s (Antonio Banderas) live in pet subject for his plastic surgery experiments. But contrary to the the title, most things in the movie are not skin deep as you find yourself immersed in a bizarre world that only Pedro Almodóvar can concoct. And even for him the film might have been a road less traveled on…

Rating: * * +

Sunday, September 25, 2011

Inglourious Basterds

Inglourious Basterds

The time is World War II with the Nazi juggernaut running rampant across France. Dropped in to this zone is a group of specially chosen madmen whose charter is to put fear in to Nazis. The fact that title is misspelt is in itself a hint that Mr. Tarantino has something to do with its making. The fear inducing methodology in his indomitable style confirms it. In spite of a Kill Bill like structure, the film is no way one of his all time greats but yet an enjoyable trip.

Rating: * * +

Sunday, September 18, 2011

The Vanished Empire

The Vanished Empire

The film is set in 70s during the peak of communism in Russia. The budding adults in the movie however are in to all things hip i.e. from the west. They dabble in the black market harking behind Pink Floyd, The Rolling Stones and western fashion. The whole society seems very progressive on the whole in contrast to the dreary world Russia was painted to be. With this backdrop, the film follows the travails of a group of young adults as they come of age. Petty rivalry, skirt chasing and staying cool seems to be their focus like most people their age all over the world. If the aim of the movie was to show that kids in Russia were just like their western counterparts, then it sure hit the bull's-eye. Other than that it’s just another drab coming of age film.

Rating: *+

Sunday, September 11, 2011

No Smoking

No Smoking

K (John Abraham) is a chain smoking business tycoon with a  penchant to be an asshole. However it is not the asshole bit that bothers his wife (Ayesha Takia) but his nicotine habit. So when she lays down the gauntlet for him to quit, he finds himself in the abode of Baba Bangali (Paresh Rawal). The Baba apparently has a foolproof method to make one quit and never go back. The plot so far seems engaging but Anurag Kashyap decides to get bit too clever for his own good and the film literally meanders down a hell hole!

Rating: * +

Thursday, September 08, 2011

Four lions


Prompted by a colleague, I invited a few others to check out this film I knew very little about. An hour and a half later I walked out having watched a bloody funny film, a bloody good film. Cutting edge in its focus on staying away from the well trodden narrative (when it comes to suicide bombers and terrorists) and some excellent performances. Predictably, the others with me were not amused. Four lions is a dark look at a bunch of idiots in bumblefuck UK who happen to be aspiring suicide bombers. Initially I thought it was a spoof, like the Hotshots series or something. But instead it gradually develops and takes things to its logical, politically incorrect end. With some fantastic urdu swearing thrown in, this is one of the better films of 2011. 

Rating: * * *

Sunday, September 04, 2011

Midnight in Paris

Midnight in Paris

Circumstances and a dastardly Spaniard conspired against me, to make me do something that I swore to avoid… watch a bloody Woody Allen film. But with good faith and an open mind I tried my hand at it again.

Gil (Owen Wilson), a floundering author is wandering around Paris with his overbearing fiancé, Inez (Rachel McAdams). Her super rich parents are equally snooty and little needs to be said about her snobby friends. The situation leaves Gil to wander the streets and he stumbles in to mysterious avenues from the past. While the setup seems fine on paper, it translates on to the screen in typical Woody Allen fashion. Noisy dialogs that leaves the viewer with a buzzing in their ears and the lack of stillness that gives a feeling that Allen is rushing around with no end in sight. Never again will I put my self through this torture!

Rating: *

Sunday, August 28, 2011

The Girl Who Kicked the Hornet’s Nest

The Girl Who Kicked the Hornet's Nest

Lisbeth Salander (Noomi Rapace) is recovering from the brutal assault from her father and step brother while awaiting trial for multiple murders and assault. Seeing her helpless and the vultures gathering, Mikael Blomkovist (Michael Nyqvist) mounts a private crusade to bring her justice as he goes about unveiling a conspiracy spanning decades. Like all the three films, this one too has been diluted. However, Daniel Alfredson has tried to maintain a balance that leaves the film very watchable.

Rating: * * *

Tuesday, August 16, 2011

Kamui

Kamui

Terrible movie about a shinobi who absconds from his ninja clan. The hope might have been that the over the top CGI effects and wire works would make up for the lousy action sequences and jerky storyline. Alas it only left me wondering how this pile of krap made it on to my queue.

Rating: *

Sunday, August 07, 2011

Rise of the Planet of the Apes

Rise of the Planet of the Apes

Mankind’s constant tinkering to fix things forms the background plot of the film. Hot shot scientist Will Rodman (James Franco) discovers a wonder drug that can repair brain cells. The test subjects are of course apes! Predictably things get out of hand and soon you see the back story behind Planet of the Apes unfold. A tightly wound action flick shot with very little dialog. Given that film is dominated by Andy Serkis playing Caesar it is aptly not required. Which also leads to it being an ideal movie for Freida Pinto to showcase her “skills”.

Rating: * * +

Wednesday, August 03, 2011

Captain America: The First Avenger

Captain America

Marvel’s main icon finally makes his way to the big screen and unfortunately they have to start at the beginning set in World War II. Steve Rogers goes from skinny kid to super soldier and proceeds to kick Nazi ass. The Red Skull is his main nemesis who is played by Hugo Weaving who still acts like he is Agent Smith. The American propaganda that surrounds the movie is cloying and puke worthy. Thankfully this will be the last we see of it, as we will soon see Avengers Assemble!

Rating: * +

Sunday, July 31, 2011

Hanna

Hanna

A young girl (Saoirse Ronan) is trained to be a killing machine in an icy wilderness by her father (Eric Bana). Then with nary an explanation they announce themselves to the people they are supposedly hiding from and split up. Soon they have an obviously evil Cate Blanchett hot on their heels. Inevitable splices of action and chases is soon followed by the obvious climax. Through out which the film is limply held together by a whispering storyline. Thankfully the Chemical Brother filled in the void.

Rating: * +

Sunday, July 24, 2011

Airbag

Airbag

The Spanish claimed that Delhi Belly had vestiges from an old 90’s flick from Spain. So the plan was made for the movie, chicken wings and other things.

Dumbo Konradin is engaged to a rich countess’s daughter and wears a multi-million dollar wedding ring. Weddings also mean bachelor parties with much debauchery. Konradin is dragged to a brothel by his friends who actually have more fun than him. Unfortunately for him, he ends up losing the ring up a prostitute’s ass. So like in Delhi Belly jewels are involved here too followed by insane number of underworld dons and their underlings. But like how a lot was lost in translation from Hindi much Spanish humor was missed. However thanks to this film many things in life will be “mui profesional” and sub-machine gun will always be somachigún.

Rating: * *

Monday, July 18, 2011

Delly Belly

Came into my radar after I had read about a song from the movie - on a chap called D K Bose. From the production room of Aamir Khan, Delhi Belly is yet another stylish Bollywood movie thats being churned out on a regular basis - capturing the escapdes of 3 urban young nothings. Not one of the pretentious self-discovery shit that films like these often are: like Rock On was or the new Abhay Deol/Hrithik Roshan movie. Lots of swearing, farting, shitting, passion, bullets flying around and comedy sequences that were, well, quite funny.

Rating: * * +

Saturday, July 09, 2011

Ip Man 2

Ip Man 2

Take Ip Man, replace the Japanese with the Brits, remove all historical context and you will be left with the second film that supposedly peeks in to the life of Bruce Lee’s master. Throw in Sammo Hung for old time sake, but nothing can save this film from inducing coma in the viewers.

Rating: *

Let the bullets fly

Talking of highest grossing films, I finally watched China's all time box office hit. Highly recommended by Nek, it took bit of an effort to get hold of a copy with English subtitles. After all that, I was left disappointed as the action was limited & with Bollywood style editing. Couldnt see what the deal was. But there was a whole load of crisp, bullet sharp conversation which seemed rather tame as I read the subtitles - I suspect all the wit was lost in translaton. 

Rating: * *

El secreto de sus ojos

A murder-thriller made with great style. Benjamin Esposito, a retired lawyer, resurrects details of a murder that he had investigated 25 years ago as inspiration for a novel. It brings back memories of the brutal murder, his genius alcoholic partner, the chase for justice and his unconsumated love. For 120 mins, director Juan José Campanella captures your imagination as the intricate story is laid out (though the last scene was a copout) and outstanding camera work fills the screen - the sequence in the football stadium is one of the greatest I have seen in a long time. "The secret in their eyes", as of last year, was apparently the highest grossing movie in Argentina over 25 years.

Rating: * * *