Mon-Rak Transistor

Pan is simple minded country boy whose love for music and pursuit of fame finds himself AWOL from both his wife and the Thai army. There is not much else to say about the sparse storyline of this film which is a blend of comedy, musical, romance and crime thriller. One of Pen-Ek Ratanaruang earlier efforts where it is obvious that his art needs honing. I guess one has to go through the process of making movies such as these before you end up with something original and timeless.

Rating: * * 

Poster licensed under Fair use via Wikipedia.

Snowpiercer

Global warming was imminent and humans in their infinite wisdom decided to fix things. The result is a sudden ice age and the only escape is being on a self sufficient train that runs endlessly on a round the world trip. Even in these close confines of a train, a class system arises and there is the inevitable revolt. The film evoked critical response regarding how this a reflection of current society and class division. However, the point is lost of people that there is nothing original in this route and is a topic revisited over and over again. And if you sit through to the end, you will definitely be reminded of Omelas if you have read it. In fact, if you haven't read it go pick up a copy and ignore the film.

Rating: * +

"Snowpiercer poster" by impawards.com. Licensed under Fair use via Wikipedia.

Five Easy Pieces

Jack Nicholson's coming out movie in 1970. One can sense that with that kind of presence it was inevitable that he would go on to other spectacular (that movie in my book, btw, is a * * * +) performances. Enjoyed the film as it drifted everywhere to tell us a story of a nowhere man. Which was pretty much the call of the times, I reckon, if you were an aspiring filmaker. Does well to convey the coldness of a person who is intent on searching for nothing amongst humans.  

Here is Jack turning on his charm.

Rating: * * +

Breaking Bad

I was late on this one. I first heard about this series only last September as I witnessed frenetic activity on the twitter timeline about the upcoming series finale. Once I began on episode 1, it was easy becoming a junkie. Blitzkrieged through the rest of the 5 seasons in 5 weeks.

This Vince Gilligan production is as close to perfection as Richmal Crompton's Just William series of books and the British TV series 'Jeeves and Wooster' were to me. At the outset, the hook for me was the underground crystal meth operation spearheaded by an unlikely pair of underdogs - Walter White (WW) & Jesse Pinkman. Gradually it became much more than that. It was like I had shaved my head, grew a french beard and decided to switch on a bomb - a Heisenberg whirlpool that unwittingly took in many others in for a ride as well. All for the family, not.  

All of the surrounding characters were brilliantly scripted and casted - a big factor in the success of the show in my opinion. Each one of the characters had enough depth to spin off a series entirely on their own. 

After watching the entire season, I have browsed through quite a few reviews and interviews. Much of it has been about the bewilderment about viewers rooting for Walter White despite his evilness. Frankly, it is not the first time an anti-hero character in a movie/TV series has proven popular.  At some level, everybody wants to be bad because of all the 'injustices' that one has had to endure. The urge to take on the establishment / society is something again, I reckon, a lot of people would relate to.

What really was cool was the depiction of the inner workings of a crystal meth empire. Which is no different from managing any other business. For instance, there were insights into: (a) strategising - both micro and macro from Saul Bellow-DEA-WW-Gus Fring; (b) managing operational efficiencies from WW-Mike-The man who makes them disappear; (c) people management skills - grooming talent, empowering nobodies, sidelining competition and (d) money laundering from Saul-Skyler.

While searching for stuff to read about the show, I came across an entire series of interviews by Rolling Stone with most of the cast in the run up to the final episode. Some of the ones I found interesting were the one with Giancarlo Esposito 'Gus Fring' (The ending I want is to see is his head on a pike) and Dean Norris 'Hank' (Is Hank the only major character in this show who hasn't broken bad? Absolutely). The others also should be checked out. 

I also discovered some great music through the 60 odd episodes - painstakingly shazamed my way to a playlist of 15 odd songs. While David Porter's original score does immense work in the subconscious, here are few songs that stood out - in chronological order: TV On The Radio's DLZ (lead singer being Tunde Adebimpe), The Be Good Tanyas' Waiting around to die and Gnarls Barkley's Who's gonna save my soul.


Rating: * * * *

Dawn of the Planet of the Apes

The sequel to Rise of the Planet of the Apes starts off 10 years later showing Ceaser ruling his clans of apes peacefully in Muir Woods amidst the decimation of the human race by the ALZ-113 virus. A chance encounter by couple of the young apes with a human survivor rekindles the contact between the two species and reignites the buried hatred among some of the apes. All the humans want is access to a dam that is in the land occupied by the apes. All the apes want is to be left in peace. But politics and personal gain apparently exists everywhere, even among apes showcasing they indeed were our forefathers. A slightly sad turn to what was shaping to be a promising franchise.

Rating: * *

Dawn of the Planet of the Apes poster Via Wikipedia.

Like Father, Like Son

High up in their residential tower, overlooking other Tokyo towers, Ryoto and Midorino are working purposefully towards planning their six year old's life. Until they realise that there was a mistake at the hospital 6 years ago and Keita was never their child. The hospital puts them in touch with the other family who has their 'real' child. Should they exchange? Why? Why not? But it did raise a few related questions that I should be mindful of in the future: nature vs nurture, blood vs emotion, piano classes vs loafing. 

Apparently dealing with parenting, family issues / misplaced, dead children seems to be director Hirokazu Kore-eda's speciality and does a decent job of tugging at your heart. Unfortunately, it is through a bunch of steroteypical characters and a plot that focusses on simplicity.

Rating: * * 

The Grandmaster

Wong Kar-wai's take on the life of Wing Chun master and Bruce Lee's guru Ip Man. It chronicles his early life in Foshan and his flight to Hong Kong after the Japanese invasion. Tony Leung plays the martial artist maestro with his usual relaxed ease. But other than for that and the brilliant cinematography, the film has very little to warrant an addition to Wong Kar-wai's list of masterpieces. The director has definitely lost his touch and his retirement would be welcomed by his fans.

Rating: * *

"The Grandmaster poster" by this website. Licensed under Fair use via Wikipedia.

Cloud Atlas

Reading David Mitchell's Cloud Atlas left me thinking that this is one book that meanders all over the place and could never make a coherent film. The Wachowski siblings of course proved me wrong.

In 1849, a young lawyer has a brush with slavery and is dying of a mysterious illness on ship while harbouring an escaped slave. In 1936 a young composer is slaving away under an arrogant maestro while composing his own masterpiece. San Francisco in the 1973 sees a journalist trying to unearth a conspiracy. Present day London finds a publisher running away from gangsters in the most amusing fashion. A futuristic Seoul in 2144 shows a genetic clone discovering that she is human. And then there is the really far away time set in a post apocalyptic time. A film set over multitude timescapes that has been stiched together to make a coherent whole. 

Rating: * * +

"Cloud Atlas Poster" by May be found at this website. Licensed under Fair use via Wikipedia.

X-Men: Days of Future Past

The world of the present sees a dark place for mutants. Robot Sentinels roam the planet rooting the holder of the mutant genes out and sending them to meet their maker. Any humans harboring them are dispatched too. This situation has brought Professor Xavier and Magneto together as they struggle to hold off the robot enemies. The solution that is forced upon them is to send Wolverine back in time to try and fix the root of the problem. Time travel is treated differently here as it is more like sending someones memory back in time. And it kind of makes sense. The past sees a very different Professor and Magneto with Beast in tow. Jeniffer Lawerence takes on the role of Mystique and kicks some ass. A fun watch in what arguably could be the best film of the X-Men series.

Rating: * * +

Godzilla

The iconic Japanese monster is back at its rampaging best in this American avatar of the king of monsters. It starts from the point of view of the actor who actually drew me to the film. Bryan "I am the danger" Cranston plays Dr. Joe Brody who is caught up in the terrifying destruction of the power plant that he oversees. Soon it flows to his son and family while the back story about the creature and its predators are filled in. Storyline is simple. Monsters converge on to San Francisco and destruction ensues as we watch in awe. The original allegory of Godzilla to nuclear weapons / US and rest of the world, give way to a correlation between arrogant humans and disregarded nature. That alone could have sustained this film, but the director had to pander to the masses and introduce a human angle. Blank that out and you are left with one of the better reincarnations of this franchise.

Rating: * * + 

Missing

Another film in the endless parade of South Korean thrillers, sees a supposed feeble old man in the outskirts of a sleepy South Korean town picking up young beautiful women as his pets. The only difference being that he treats his dogs and chickens with way more empathy. More torture horror than thriller, the film's production quality is on the lower side but the atmosphere created by the director does keep you taunt and guessing.

Rating: * * 

Big Fan

Paul Aufeiro is a full time parking garage attendant, but his real job is that of a hardcore New York Giants fan.  He goes the full distance for the team, tailgating at the stadium during games and calling into talkshows to defend his team. He does all this while living with his mother and jerking off in silence giving you the sense he is a loser with a misplaced unrequited love. This is brought to the forefront when he is assaulted in a club by his favorite player. It throws his life into a loop as he finds himself struggling to deal with his team's downturn thanks to the incident. A tragic comedy that makes you question and wonder about the mental health of rabid sport fans all around the world.

Rating: * * +

The Lunchbox

Saajan Fernandes (Irfan Khan) is gearing up for retirement from his sleepy accounting job from a firm that is stuck in the past. Mourning his dead wife, he starts wading into the mists of after work life. This is when he finds a new spice entering his life through the lunchbox delivered by the famous Mumbai dabbawala service. The service that prides itself for never making a delivery error, ends up giving Saajan the lovely cooking of Ila who is a struggling housewife  yearning for the love of her disinterested husband. 

Interwined in this story is Shaikh (Nawazuddin Siddiqui), Sajan's replacement at the firm, who starts off as an irritant to everyone but slowly makes his way to the viewer's heart. That sort of acting is hard to come by these days and Mr. Siddiqui's talent needs to be nurtured and given more exposure. Then there is Ila's invisible neighbor whose voice conveys so much more than what some actors convey with their faces. Throw in another appendage from the past; handwritten letters, and you have a romantic film that reminds one of Wong Kar Wai during his better days. 

Rating: * * * + 

Life of Pi

Yann Martel's worldwide bestseller is awoken by Ang Lee in this mega blockbuster. Pi Patel and his phantasmagoric struggle on a raft with a Bengal tiger are retold in great CGI glory. As in the book you are left with the decision to see if the story as told is true or was it Pi's way of coping with what he had to do to survive. 

Rating: * *

The Hobbit: The Desolation of Smaug

Dr. Watson and Mr. Holmes are reunited in this film... oh wait that is not the case until further reincarnations of the characters. The Unexpected Journey of Bilbo Baggins continues in Peter Jackson's next installment of The Hobbit. If you were left wondering at the end of the first film how Mr. Jackson was going to drag this out into three films, the movie does provide you with the answer. Other than that and the introduction of Benedict Cumberbatch as Smaug, the film serve no other purpose as it acts as a boring bridge to the grand finale of the battle against the dragon. Throw in some unnecessary twists to the plot by the director, we are left with a rather staid, head scratcher of a film. But if one could suspend their knowledge of the Tolkien novel, you could force yourself to be slightly entertained by the movie.

Rating: * *

Captain America: The Winter Soldier

Two years have passed since the events in The Avengers and Captain America finds himself adjusting to the 21st century as an agent of S.H.I.E.L.D. Things are turned topsy turvy when Nick Fury is brutally attacked and Steve Rogers finds himself with no one he can trust. But the real action begins with a whisper from the past that comes attacking him in the form of the Soviet hitman called the Winter Soldier. Thankfully the cloying American propaganda that was a huge part of the first Captain America movie has taken a back seat and you are left with a good vs evil superhero flick. Marvel unleashes another sidekick and they have picked well in choosing the Falcon. Throw in some hot red headed action in the form of Natasha Romanov and you have yourself a fine escape from reality for a couple of hours.

Rating: * * +

The Grand Budapest Hotel

Wes Anderson is back with the symmetry of his frames, still camera and arrestingly strange characters. In his latest masterpiece, the story is centered around an old hotel that lingers on in the cloud of its prestigious past or I should say around that of its concierge. The movie starts off as a simple retelling of the legendary concierge's past that soon becomes part murder mystery, part prison break, part thriller and full on fun ride. Manifested with big name actors and actresses playing their bit and lead roles that they only would for Mr. Anderson, you are left marveling at this genius who makes complexity so simple. Or is it the other way around... 

Rating: * * *

Innocent Blood

James Park leads a quiet life as a forensic lecturer at a university far removed from his life of an undercover detective. The quietness is disturbed when his past comes screaming back and his son is  kidnapped by an apparent psycho. The usual detective - psycho cat and mouse game ensue but nothing in the film draws you in. The dialogues are almost funny even when trying to be bone chilling and when you hear laughter at the theater during a film like this, you know that the scriptwriter needs to find a new job. All the viewer can do is wait for freedom from the induced boredom. 

Rating: *

Great Gatsby

Scott Fitzgerald's 1925 novel, yet again makes it way to the screen. The old story is retold of young Nick Carraway's tryst with high society during a New York summer. The vehicle into this flamboyant party land is his mysterious neighbor, Jay Gatsby. Gatsby is young, suave and sophisticated and Nick falls under his spell. But soon cracks appear as an obsession comes to light. Leonardo DiCaprio plays the lead role with a constant tinge of nervousness and hysteria that does quite match Gatsbys of the past. That takes a lot away from the film but if you are a connoisseur of the era like my partner is, the sets will not disappoint. According to her the film captures the spirit of the era very well. However sets can only take you so far.

Rating: * *

Pee Mak

Set in the mid 19th century when Thailand was constantly in conflict with its neighbors, Pee Mak is based on a popular Thai folk tale that some claim is based on true events. Mak is a soldier who is gravely wounded in a battle. Miraculously escaping with the help of his four close friends, the group takes him back to his village and reunites him with his wife and child. His wife, Nak (Davika Hoorne), is an uncommon beauty that has him under her spell. The friends soon start to notice that something is not quite right with her but are terrified to do anything about it. Director Banjong Pisanthanakun could have taken the route of making this a regular horror thriller. Instead, he updates the version of the legend and peppers it with slapstick humor to turn it in to Thailand's highest grossing film ever. It is worth a look just for the reason but cinematically it is only gets high marks for its production quality.

Rating: * *